As 2018 unfolds, I’ve been reflecting on my creative journey.
What began as art discovery (a form of therapy, if you will) during a difficult time in my life – personally and professionally – has developed into a way of living that is as necessary to me as breathing and eating. My head often feels like it will burst to let the ideas out!
When everything in art was brand new to me three years ago, I was taking it all in and sampling techniques, tools, and materials – but not choosing anything specific. Window shopping. I suppose that’s how I discovered ‘mixed media’ – I tinkered in a little bit of everything. Now, while I still prefer using a variety of media, there are certain things I prefer. Drawing and faces make my short list.
I’m absolutely fascinated by people’s faces, taking in the lines, curves, shapes, colors, tones, textures, how light hits high places and recedes in low spots, the crevices, scars, freckles, moles, placement of features, how the features move when the person speaks, the color of the iris, the white reflection in the pupil, the shape of the lips – up or down, a big toothy grin or a closed, smiling mouth…. the list is endless.
I’ve noticed as long as I can remember, but more in the past few years. Often when I’m looking at someone, I get distracted by what I see, and worry that I’ll miss what’s being said. When I look at photographs, I am mesmerized. I study the details.
In 2015-16, I began curating faces from online images in Pinterest and Google, to use as reference tools as I developed my drawing skills. I didn’t draw too many faces those first years, but the first photo in my curated collection became a reference for an early piece I created in a workshop I attended. The 24 x 24 art now hangs in our home. It’s one of my favorite pieces, but I didn’t focus on drawing faces. Yet.
I was still dabbling.
Looking at a face is like looking at art for me. I am infinitely curious when I look at someone’s face…
In Pam Carriker’s book, Mixed Media Portraits: Techniques for Drawing and Painting Faces, she says, “You’ll find when you begin sketching and using faces in your work that you notice the tilt of someone’s head when you’re talking to them or how the light is shadowing their face.” When I read this, I thought, “I do that all the time!”
My focus is narrowing. No longer just window shopping as I did in 2015, I’m figuring out which subjects interest me most, which mediums feel ‘right’ in my hands, how compositions, combinations, and colors convey what’s in my heart and my head.
Pam goes on to say, “Each face that emerges is like meeting a new person. They are who they are, and they don’t have to be perfect… Let them become who they become.” I love this!
I am literally ‘drawing them out’ – new people who have (apparently) been hanging out in my head and are now emerging. Their faces are the evidence of my own growth as an artist…..
Here are a few new friends I’d like to introduce, because as I develop my drawing skills, these ladies will become fondly remembered as the faces who appeared first in 2018, willing to emerge with all their quirkiness and imperfections. 🙂
Where will the process take me next? Follow along on Facebook, Instagram, and Pinterest: @RobinLK Studios